Treatises Of Benvenuto Cellini On Goldsmithing And Sculpture

Treatises of Benvenuto Cellini on Goldsmithing and Sculpture

by Benvenuto Cellini

In 'Treatises of Benvenuto Cellini on Goldsmithing and Sculpture', the renowned 16th-century Florentine artist provides a detailed and insightful account of his artistic practices. Cellini, known for his intricate goldwork and monumental sculptures, shares his techniques and insights into the creation of masterpieces like the Salt Cellar for King Francis I of France and the bronze Perseus and Medusa in Florence. The book delves into the intricacies of goldsmithing, sculpture, and the artistic climate of the Renaissance, offering readers a glimpse into the mind of a master craftsman. Cellini's writing style, marked by his characteristic candor and wit, makes the text engaging and personal, providing not only technical instruction but also revealing his personal philosophies and perspectives on life and art.

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Benvenuto Cellini image

Benvenuto Cellini was an Italian goldsmith, sculptor, draftsman, and artist who also wrote poetry and a famous autobiography. He was one of the most important artists of Mannerism. He is remembered f...

Books by Benvenuto Cellini

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0: Preface: An Introductory Account by the translator, C. R. Ashbee
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1: The Treatise on Goldsmithing: Introduction
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2: The Treatise on Goldsmithing: Chapter I. On the Art of Niello
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3: The Treatise on Goldsmithing: Chapter II. On Filigree Work
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4: The Treatise on Goldsmithing: Chapter III. Concerning the Art of Enamel
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5: The Treatise on Goldsmithing: Chapter IV. Jewellery
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6: The Treatise on Goldsmithing: Chapter V. How to Set a Ruby
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7: The Treatise on Goldsmithing: Chapter VI. How to Set an Emerald and a Sapphire
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8: The Treatise on Goldsmithing: Chapter VII. How to Make Foils for All Sorts of Transparent Jewels
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9: The Treatise on Goldsmithing: Chapter VIII. On the Cutting of a Diamond
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10: The Treatise on Goldsmithing: Chapter IX. How You Tint a Diamond
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11: The Treatise on Goldsmithing: Chapter X. How to Give a Diamond its Reflector
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12: The Treatise on Goldsmithing: Chapter XI. About White Rubies and Carbuncles
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13: The Treatise on Goldsmithing: Chapter XII. Minuterie Work
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14: The Treatise on Goldsmithing: Chapter XIII. On Cardinals' Seals
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15: The Treatise on Goldsmithing: Chapter XIV. How to Make Steel Dies for Stamping Coins
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16: The Treatise on Goldsmithing: Chapter XV. About Medals
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17: The Treatise on Goldsmithing: Chapter XVI. How the Before-Mentioned Medals are Struck
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18: The Treatise on Goldsmithing: Chapter XVII. Another Way of Striking Medals with the Screw
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19: The Treatise on Goldsmithing: Chapter XVIII. How to Work in Large Ware, in Gold and Silver and Such Like
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20: The Treatise on Goldsmithing: Chapter XIX. How to Begin Making a Vase
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21: The Treatise on Goldsmithing: Chapter XX. Another and a Better Way of Casting
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22: The Treatise on Goldsmithing: Chapter XXI. Yet Another Furnace, Such a One as I Made in the Castle of St. Angelo at the Time of the Sack of Rome
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23: The Treatise on Goldsmithing: Chapter XXII. How to Fashion Vessels of Gold and Silver, Likewise Figures and Vases, and All that Pertains to that Branch of the Craft called 'Grosseria'
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24: The Treatise on Goldsmithing: Chapter XXIII. Another Method for Gold and Silver in Such Things
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25: The Treatise on Goldsmithing: Chapter XXIV. A Third Method for Similar Things
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26: The Treatise on Goldsmithing: Chapter XXV. Of Figures Made in Silver and Greater than Life Size
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27: The Treatise on Goldsmithing: Chapter XXVI. How to Gild
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28: The Treatise on Goldsmithing: Chapter XXVII. A Recipe for Making Colours and Colouring the Gilded Parts
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29: The Treatise on Goldsmithing: Chapter XXVIII. A Recipe for Making Another Sort of Gilding Colour
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30: The Treatise on Goldsmithing: Chapter XXIX. How to Make a Third Gilding Colour for Very Thick Gilding
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31: The Treatise on Goldsmithing: Chapter XXX. How to Make the Wax for Gilding
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32: The Treatise on Goldsmithing: Chapter XXXI. How to Make Yet Another Colouring
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33: The Treatise on Goldsmithing: Chapter XXXII. The Manner of Applying the Said Colour
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34: The Treatise on Goldsmithing: Chapter XXXIII. What You Do When You Wish to Leave Bare the Silver in Certain Places
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35: The Treatise on Goldsmithing: Chapter XXXIV. How to Make Two Kinds of Aquafortis, One for Parting, the Other for Engraving and Etching
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36: The Treatise on Goldsmithing: Chapter XXXV. How to Make Aquafortis for Parting
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37: The Treatise on Goldsmithing: Chapter XXXVI. How to Make Royal Cement
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38: The Treatise on Sculpture: Chapter I. On the Art of Casting in Bronze
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39: The Treatise on Sculpture: Chapter II. How the Above-Mentioned Clay is Made
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40: The Treatise on Sculpture: Chapter III. Another Method of Casting Figures in Bronze of Life Size or a Little Under
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41: The Treatise on Sculpture: Chapter IV. How to Construct Furnaces for Casting Bronze, Whether for Statues, Ordnance, or Other Such-Like Things
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42: The Treatise on Sculpture: Chapter V. How to Carve Statues or Intaglios, or Other Works, Such as Divers Beasts, in Marble or Other Stones
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43: The Treatise on Sculpture: Chapter VI. Of Carrara Marbles
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44: The Treatise on Sculpture: Chapter VII. A Disquisition on Colossal Statues Whether Moderate or Very Great
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45: The Treatise on Sculpture: Chapter VIII. The Mystery of Making Great Colossi
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